FAVORITE MOVIES » The Great Gatsby (2013)
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Of the 512 Best Picture nominees in Oscar history, only eleven were directed or co-directed by women. Only four women have been nominated for Best Director in 86 years. The first was Lina Wertmüller for Seven Beauties (1976); her film was not nominated for Best Picture. The first three women to have their films nominated for Best Picture - Randa Haines for Children of a Lesser God (1986), Penny Marshall for Awakenings (1990) and Barbra Streisand for The Prince of Tides (1991) - were not nominated for Best Director. The first film directed by a woman to be nominated for Best Picture *and* Best Director was The Piano (1993), directed by Jane Campion. It would take another ten years for a film directed by a woman to be nominated again - Lost In Translation (2003) by Sofia Coppola, who was also the youngest woman to direct a nominated film (she was 32 at the time). The first - and so far only - woman to win the Best Director award is Kathryn Bigelow for The Hurt Locker (2009). She is also the only female director to have two films be nominated for Best Picture, the second being Zero Dark Thirty (2012). One woman - Valerie Faris - has co-directed (with Jonathan Dayton) a film to a Best Picture nomination, for Little Miss Sunshine (2006). Lone Scherfig is the first - and so far only - European woman to direct a film nominated for Best Picture, for An Education (2009). The only LGBTQ woman to direct a film nominated for Best Picture is Lisa Cholodenko for The Kids Are All Right (2010). Debra Granik was nominated for her screenplay, but not for her work as director for Best Picture nominee Winter’s Bone (2010). In the 86 years of Oscar history, there have only been two years when multiple films directed by women were nominated for Best Picture: 2009 and 2010.
Carey Mulligan by Kurt Iswarienko
"Daisy Buchanan, the golden girl. A breathless warmth flowed from her. A promise that there was no-one else in the world she so wanted to see."
“It was crazy and exhausting and quite overwhelming,” says Mulligan, “the biggest, craziest production I’ve ever been involved in.”
I think I’m more settled and more secure than I’ve probably ever been, and more confident and excited about the work choices that I make, so I feel my job isn’t to be a dancing monkey and entertain people on television, it’s to promote a piece of work I’m proud of. So I can’t really fail if I stick to honestly representing my work and trying to avoid talking very much about myself.
Carey Mulligan and Oscar Isaac for Harper’s Bazaar UK | February 2014
Carey Mulligan - The Great Gatsby premiere in Cannes